“THE PRIME OF LIFE” captures the beauty, disorientation, and fleeting nature of youth in the fragile hours of an afterparty. Through a poetic, dreamlike lens, it weaves echoes of 90s Berlin rave culture with the ethereal touch of Sofia Coppola, reimagined under a Mediterranean light.
The result is an intimate, cinematic portrait of a moment suspended between euphoria and nostalgia.
FULL CREDITS
Artist: Alícia Miquel
Director: Maria Burgués
Assistant Director: Inés Rivera Bolonio
Director: Maria Burgués
Assistant Director: Inés Rivera Bolonio
Director Of Photography: Martín Ávila
Focus Puller: Jordi Manchado
Gaffer: Max Borrell
Spark: Alex M. Subirats
Focus Puller: Jordi Manchado
Gaffer: Max Borrell
Spark: Alex M. Subirats
Production Manager: Alberto Orive
Production Assistant: Marc López
Production Assistant: Marc López
Art Director: Mònica Fornells
Art Assistant: Milu Brega
Art Assistant: Milu Brega
Styling: Clara Estévez
Styling Assistant: Mònica Guiu
Makeup Artist: Andrea Cucala Bilbao
Makeup Assistant: Júlia Masferrer Ardiaca - Saturn Mua
Styling Assistant: Mònica Guiu
Makeup Artist: Andrea Cucala Bilbao
Makeup Assistant: Júlia Masferrer Ardiaca - Saturn Mua
Still Photography: Nora Cascante
Edit: Mon Rodríguez
Colour Grading: Guillem Birba
Graphic Design: Alba Castelló
Motion Graphics: Javier Castillo
Colour Grading: Guillem Birba
Graphic Design: Alba Castelló
Motion Graphics: Javier Castillo
Cast: Miquel Alcarria Llaneras, Sergio Cebrián, Yasin Espuny, Claudia Filippetti Barrachina, Clara Fiol, Mònica Guiu, Kuri, Yeray Marin, Lorena Noè, Micaela Noriega.
Music Mix: Isabassi
Music Mastering: Sebastian Hoffmann
Music Mastering: Sebastian Hoffmann
Special Thanks to: Lluc Martí Galmés, Enric Sant, VANOVA, Rapid Studio, Àlvar Riu, Digital Access, Napalm Rentals, Oupi, Toni Melis, Nora Cascante, Oriol Colomer, Paloma Lambert, Sergio Cebrián, and the whole crew involved <3
Shot in Espacio Kineta, l’Hospitalet de Llobregat, Barcelona. June 2025.
Shot in Espacio Kineta, l’Hospitalet de Llobregat, Barcelona. June 2025.
